I m in the studio mixing down a band I have recorded called The Chronic. The 2 man band consists of Aaron Morrice (drums and backup vocals) and Torrie Wilson (bass and lead vocals). I m just finishing the final mix of all the tracks today and its off to get mastered. Sounds Big and I hope the mix of the over all album will punch people in the neck.
you can check them out at http://www.myspace.com/ttthechronic
Last Saturday I had the pleasure of attending my good friend Rok Solids first music video shoot. I awoke to a text from Rok at about 6:15 in the morning, we had a place to set up the green screen and we had to be downtown for 7am. As tired as I was from ironing all my fresh gear the night before I got my self out of bed, showered and at about 6:50am Rok had picked me up and we were flying down the Garderner like the batmobile out the batcave.When we arived at the spot to record the green screen shots, it was a building in the club district that Rok had rented out.
We got upstairs in the worlds slowest elevator, got the green screen set up and let the producer Alberto Martinez of Enity Films set up the lights and cameras. We got the green screen shots done in about 4 hours, going through the song about 15 times or so. Doing a music video is totally new to me so it was a real exciting experience to actually put a visual to the music. We managed to shoot another scene in the same building as we shot the green screen scene in a back ally stair case. The green screen was the scenes that I was in. I’m not only excited to be in the video, but I’m also super proud that I produced a beat that someone shot a video to. If you wanna check out the songs that Rok Solid recorded the video to, check it out along with some of his other new songs @ www.myspace.com/solidmusic416
The video with a release party is soon to come …….
Last month I had the pleasure of doing some small renovations to my studio. Not making music for a month would be more then half the battle, but I braced my self and hoped for the best. First thing I did was research on some acoustical treatment. I had some acoustical treatment prior to the renovations which was just some egg crate foam and a few foam bass traps. With the egg crate foam I still felt my mixes didn’t translate well when I would play them in a car or small stereo. After reading “how to set up room” By Ethan Winter of RealTraps, I knew my room needed some adjustments. I Had a small budget which I could have gone right ahead and bought the newest, coolest piece of gear I v been craving, but after I set up my room properly it has probably been the best investment I have made yet in my studio.
First task I had to tackle was getting the foam off the wall that I had glued on with spray adhesive. I took a hairdryer and just heated up the foam until the glue got sticky and gave away from the wall. I was still left with lumpy chunks of glue on my wall so for about half a day I scraped and sanded glue off my wall, never again will I glue anything anywhere on my walls.
Next It was onto filling in all the dents in the walls and picking out the floor. In most big budget studio’s you will see a combination of carpet and hardwood, I chose to go all dark brown hardwood because myroom is only 14ft. long and I can put down a small throw rug. After picking out the wood I picked out the colour of paint and I got on with it. The wood I went with was called engineered because it is made of a few thin peices of wood glued together, perfect for basements where there is a lot of moisture. I first put down a sub floor with a material called Dricore. Dricore is an easy to work with sub flooring system that has air flow underneath to keep moisture from building up underneith your sub floor so your hardwood doesn’t buckle. When the sub floor was finished it was on to the actual hardwood floor which was just tongue and groove. My homie Chris really helped out with the flooring doing all of the cuts because I m horrible at measurements.
After finishing painting and putting the floors in it was on to getting my traps up that I got from my homie Bryan Pape at GIK Acoustics . Bryan was a super help with getting the traps I needed so my room could sound the best it could on a small budget. I ended up getting 12 traps in total ,4 tri traps for the corners covering anywhere from 50Hz to 5000 Hz making not only a great low end absorber but as well it does a great job with hi end, 6 242s 4 inch panels for early reflections (2 on the ceiling, 2 on the side walls and 2 behind my monitors) and 2 244s 6 inch panels for the back wall reflections. After placing the first 4 tri traps in the corners I immediately noticed a difference in the low end response in my room, it was more defined, more controlled and the over all clarity was amazing. I then hung the rest of the traps and was amazed at the bigger stereo image and detail I never had when I just had the egg crate foam.
In the end the effort was well worth it, I have already mixed one song in my room and notice superior results. I mixed the song faster with the new treatment in my room because I was able to pin point frequencies that were causing unwanted rumble in my kick drum and bass that I was not able to hear with the egg crate foam. I am always looking for ways to improve my mix and buying the proper treatment plus placing it properly was well worth the investment and time spent, now I gotta get back to the mix.
Here are some photos from the ordeal!
